Urban aria

Urban aria

Lavanya Sankaran’s new book examines the complexities inherent in a postindustrialised metropolis, says Time Out

The Bangalore that’s presented in the pages of The Hope Factory, a book by Lavanya Sankaran, is a familiar city, constrained by bureaucracy, corruption and of course, the limitation of class. The author describes the flesh and bones of this metropolis by way of two parallel stories: that of Anand, an upper middle class entrepreneur whose dream is to expand his factory by buying new land in the city, and Kamala, who works as a maid in Anand’s bungalow, and purposes her life around that of her son, Narayan.

“It’s a personal exploration using whatever talent sets I have, and what I am capable of,” said Sankaran, who worked on the novel for the last six years. “When you’re writing literary fiction, you are not just being a sociologist, you’re being a political analyst, an economic analyst; it’s more multi-layered.”

Sankaran examines the impact of industrialisation and the resultant urbanisation. “We are seeing this huge urban boom – the expansion of cities in what were earlier fields, slums,” said Sankaran, referring to Anand’s plan to buy up for farm land for his factory and Kamala’s home being swallowed up by the city gradually “It’s happening, not just from one generation to the other. It’s happening every five to ten years now.” Through her two protagonists, Sankaran explores the country’s many contradictions – the haves and the havenots, the middle class and the poor, the individual and the family – while steering clear of stereotypes that are often a mainstay in Indian literary fiction. For instance, while Anand is busy negotiating with the Japanese for a new automobile contract, his staff insists on following auspicious temple rituals for the deal to go smoothly.

To colour the character of a young entrepreneur, Sankaran shadowed people who worked in industries to figure out how Anand’s daily life would play out. “If you’re writing about something, you have to do it with an understanding of all the issues involved,” she explained. “But to construct characters that are complete in themselves, that is the crux – one of the reasons why it took six years. I didn’t want to handle anyone with the stamp of a stereotype.” This is Sankaran’s second book – her first, The Red Carpet, is an anthology of short stories about Bangalore. This time around, the city she visits could be any metropolis in the country. “You can think of something complex, and India will out-bizarre it,” laughed Sankaran. “I wanted very everyday characters, driven by very everyday concerns. They are not victims. They are reaching for opportunities. They have to manoeuvre the obstacle race of life.” Sankaran deftly evokes empathy for her characters. In fact, Kamala, who is a single mother and has migrated to the city, turns out to be a strong feminist voice who defies the usual fatalist behaviour expected of her.

What makes Sankaran’s book a refreshing read is that it’s not melancholic. Her characters brave the odds of migration, single parenthood, scheming relatives and keep moving forward. “This is a country that doesn’t give up,” she said. “There is poverty, poor infrastructure and incredibly bad governance, to corruption on an epic scale. Yet we deal with it, we wake up and continue. That’s one of the reasons why I like the title… because India is the hope factory. But, hope is a doubleedged sword, there is epic failure on the other, you can’t look at one without the other.”

Lavanya Sankaran Hachette India, R550

By Bijal Vachharajani

Wall books

http://www.timeoutdelhi.net/kids/features/wall-books

The Enduring Ark, Joydeb Chitrakar and Gita Wolf, Tara BooksR800.Ages 7+

Wall Book: From the Big Bang to the Present Day, Christopher Lloyd and Andy Forshaw, Pratham BooksR125. Ages 3+

Richly illustrated  books that  fold open to  become wall  posters have  recently lined  the shelves of  bookstores  across the city. The Enduring Arkby Tara Books is  one such work and is illustrated  in the Bengal patua style of scroll  painting. Written by Gita Wolf and  illustrated by Joydeb Chitrakar, the book is an Indian version of  the Biblical tale of the great  flood. Looking at it, you will be  hard-pressed to imagine that this  is not an Indian story. The patuastyle  animals such as the tiger  and cows, the beautifully rendered  ark and the landscapes  make the story come alive. We  can’t wait to put this book up on  our office wall.

Another release, The What on  Earth? Wall Book: From the Big  Bang to the Present Day, is also a  fold out children’s read. This  one’s a great accessory for the  kiddy room. Published by  Pratham Books, this is an Indian  edition of the international title  by the same name. Written by  Christopher Lloyd and illustrated  by Andy Forshaw, the book’s a  short history of the planet and its  people. It’s a mini-encyclopaediaat-  a-glance and kids will love trivia  such as “Young Ichthyostegas  try out life on land”, “Archaeopteryx,  the first bird, is an offshoot  of the theropod dinosaurs”  and “Rosa Parks sparks US civil  rights movement”.

By Bijal Vachharajani 

Snack charmers

My family was most excited to hear that Baroda-based farsan establishments now deliver in India and globally.
http://t.co/Yip3QPWjnE

Time Out checks out a new online store that specialises in packaged nibbles from Gujarat

 

There’s something about the word farsan (snacks) that can send a Gujarati’s pulse racing and get his or her taste buds to go into overdrive. After all, our day is punctuated with these oily goodies, starting with deepfried ghatiyas made out of gram flour that are eaten with sliced onions, a raw papaya salsa and fried green chillies for breakfast. This is followed by snacks such as kachoris that are eaten with the main meals of the day.

Then as the day unfolds, there are other delights to choose from. Papad pava, for instance, is a mix of crushed papads tossed together with flattened rice flakes to make a crunchy tea-time snack. Then there’s khakhra, wholewheat chapattis roasted on a tawa to form a thin cracker-like farsan, which combines well with chutneys and dips. And no meal really ends without mukhwas, mouth fresheners that range from simple fennel seeds to more exotic dry paan mixtures and jeera (cumin) golis. Now Gujaratis and other farsan fans have reason to cheer as they can indulge their cravings by visiting farsankart.com for all their snack needs.

The e-store brings together snacks from seven prominent stores that operate out of Vadodara in Gujarat –Jagdish, Payal and Sukhadia, three farsan marts that are known for their snacks such as chivdas, khakhras and crisp puris; Ujjam Masala, which blends spices that locals swear by; Vanshidhar, which is known for its packaged instant mixes to make dishes such as handvo (a Gujarati spiced lentil cake) and theplas; Mr Puff for khari biscuits, and JK Mukhwas, which sells mouth fresheners. We recommend you try their fulwadi, fried gram flour spicy croquettes; lilo chevdo, a savoury mix of potato chips and gram dal; and of course the papad pava. The products are reasonably priced and available in different quantities.

When we tried to order from the website, our office server blocked the transaction. But the team that runs the website called us immediately and helped place our order through a quick bank transfer and dispatched our goodies right away. While the Vadodara-based service delivers free of cost anywhere in India, its main clientele is clearly non-resident Indians. Its global operations reach farsan goodies to Australia, Canada, the UAE, the UK and the USA. Visit farsankart.com.

By Bijal Vachharajani 

Status: Spooked out

Really enjoyed an email interview with Suzanne Sangi, the author of Facebook Phantom, who’s debut novel has a gay protagonist.

http://t.co/SpvK6jJu3H

It’s only supernatural, Suzanne Sangi, the teenage writer of paranormal fiction, tells Time Out

At first glance, Suzanne Sangi’s book Facebook Phantom is easy to dismiss as one of the countless young adult books that deal with the paranormal. After the Twilight series by Stephenie Meyer, the market has been flooded with vampire clone literature. But a closer read reveals some solid and plucky writing by this 17-yearold debutant writer. Bangalorebased Sangi writes about the fascination that social media holds for teenagers through the story of three friends – Sonali, Neel and Joanne. “Facebook Phantom is a paranormal romance,” Sangi wrote, in an email interview with Time Out. “It is more or less a psychological thriller which takes you into the world of the supernatural right at the heart of technology.

In the book, Sonali, better known as Li, starts chatting with a mysterious stranger called Omi Daan on Facebook. Daan is “melancholic and extremely good looking”, with a penchant for putting up beautiful cover photos on Facebook. The harmless flirting soon reveals a stalker side to Daan, plunging Li into a dark world full of dangers. “As Li and her friends try to free themselves from the hold of this Omi Daan, they realise that it is not easy to escape such darkness once you’ve been drawn in, and discover the depth of their friendship,” said Sangi, a student of Mount Carmel College. “Facebook Phantom was inspired by this world’s general obsession with the fascinating social networking site – Facebook – and also my personal taste for all things paranormal.”

For a debut book, Sangi’s writing is assured. Further, she takes on the topic of social media, a theme that most young adults can easily relate to. “As a teenager, I very much know what it is to be obsessed about something and I’ve tried my best to bring this to light in the book,” said Sangi. “Whether it is chatting with a crush or gossiping with friends or reaping crops on Farmville, Facebook is a whole new level of obsession. I am in absolute awe of the addictive  nature of this site, and since we’re all only human, we tend to overdo things a bit sometimes. But whatever the matter, long live the Facebook Era!”

Sangi is an avid reader and it’s evident in her book – Li loves reading as well but all that takes a back seat when she starts chatting to Daan. While some of the twists in the plot seem forced and slightly contrived, Sangi’s characters are very real.

Interestingly, she introduces the dapper Neel as a gay teenager, most probably a first for an Indian young adult fiction book. “Neel Sarathy is my favourite character in the book,” said Sangi. “He is insanely hot, with an impeccable fashion sense, free, humorous and kind. His relationship with Li has been so exciting to write, and I have to admit, I’ve always had a soft side for gay people and find them to be the most frank and humorous friends you could ever have – they always seem to cut through all the crap in life and look straight into the heart of a person. And I absolutely admire their immaculate fashion sense!”

As an extension to exploring her fascination with alternate sexuality, (spoiler alert) Neel later finds himself attracted to his best friend, Li. “There is an interesting story to Neel turning straight,” Sangi revealed. “When I was in high school, I had a surprisingly strong crush on a girl and this boggled my mind since I am/was absolutely sure that I am straight; she just made me so happy and it was nothing sexual. I did get over her in a month or so and it never happened again. When I was writing about Neel, I imagined the same thing happening the other way round – where a usually gay person suddenly falls for the opposite sex – and it made sense to me.”

Facebook Phantom, apart from being a paranormal romance, is also a Bangalore book, where the characters vend their way through the city. “[I am] a Bangalorean in heart and soul, I have written the entire book based on Bangalore and its cool people,’ explained Sangi. “This familiarity is something I cherish about the book.”

Facebook PhantomDuckbill. R199.

Ask a silly question

 Who would you rather befriend on Facebook – a ghost or a vampire? A vampire. Hee hee. The aftermath of Twilight still hasn’t left me, and I would rather date/ befriend a vampire any day.

What do you think a ghost’s Facebook wall would look like?Frequent status updates of how hell sucks, dangerous trips back to earth and cool sneak peeks of heaven. A profile picture which keeps flickering and changing every two seconds – that would be killer!

Stephenie Meyer or JK Rowling or…? JK Rowling forever. Nothing beats the brilliance of the Harry Potter series. Oh! And Rick Riordan can make me laugh!

 

Suzzane Sanghi Duckbill, R199

By Bijal Vachharajani

 

 

Food for Tots

Cover with sub
Enid Blyton’s characters went out for lazy picnics by the moors where they ate thick slices of homemade bread, warm scones and hardboiled eggs; Roald Dahl wrote a book that had revolting recipes such as Boggi’s chicken and Wonka’s Whipplescrumptious; and closer home, the Taranauts series by Roopa Pai is full of quirky foods such as puffboos and goluchkas. Judging by the legions of fans amassed by Blyton, Dahl and Pai, it’s quite evident that kids like to read about kids who like (among other things) to eat. It’s a pity then, that the tykes don’t display nearly the same allconsuming hunger when it comes to their everyday meals.

Which brings us to this fortnight’s cover story: now that summer’s upon us, and the kids have been unyoked from exam schedules, experts such as Rushina Munshaw-Ghidiyal and Jamie Oliver among others think it is a good idea to introduce them to the fact that healthy food can also be fun and yummy. This holiday, they can discover simple joys like gardening or the diversions offered by food-themed games. You’ll find all this and more to munch on, including everything from assembling healthy lunch boxes to reading a label and shopping like a smart cookie.

Read the complete cover story here:

http://www.timeoutbengaluru.net/kids/features/food-tots

Myths world

http://www.timeoutbengaluru.net/books/features/myths-world
Halahala has fallen silent. Bijal Vachharajani tells you why that isn’t a bad thing

Legends of Halahala

Many aspects of Gestalt psychology become apparent while reading Legends of Halahala, Appupen’s silent (without any text) graphic novel. Starting from the first chapter “Stupid’s Arrow”, there’re so many hidden details in every nook and cranny of the book that it’s like playing Where’s Waldo. There are clever references to the current socio-political scenario, subtle digs (and not-so-subtle ones as well) at consumerism and poignant reflections on social trends and ideologies. That, according to George Mathen, who goes by the pen name Appupen, was what he intended his second graphic novel to be.

“Each story deserves its own world,” said Appupen, who is in thrall of the works of JR Tolkien as well as Indian epics such as Mahabharata and Ramayanathey’ve each informed his work. “By creating another world there are so many possibilities that are not constrained by the realities for our stories.” Appupen’s clear that he doesn’t plan to retell mythologies. Instead he wanted to create his own mythology, which he did by fashioning Halahala, a mythical world that exists in a parallel dimension in Moonward, Appupen’s debut novel which was published by Blaft in 2009. Halahala, named after the poison that was churned from the ocean when the gods and demons in Hindu mythology fought each other, is a grey, dystopian world with dark characters.

Legends of Halahala isn’t strictly a sequel to Moonward, instead it is a set of five stories that are set in Appupen’s new world that has undercurrents of different kinds of love – vengeful, tragic, obsessive and quirky. In “Stupid’s Arrow”, two warring sides come head to head when a love missive goes to the wrong recipient. “The Saga of Ghostgirl Part 2: Legacy” is a black-and-white story that takes a strange turn after a superhero rescues a boy. “Oberian Dysphoria” takes place at the beginning of the world, where two creatures; they look like the pygmy puffs from the Harry Potter series, fall in love and are then tragically separated.

Before launching into the world of graphics as Appupen, Mathen was a drummer with Lounge Piranha, a post-rock band; he also dabbled in advertising. His experience working in the advertising industry forced him to question the term, creativity. “In advertising, a selling exercise is taken as being creative,” he said. “But they haven’t done anything besides selling a product.” And these thoughts are reflected in the last two stories. The most compelling is “16917P’s Masterpiece”, where 16917P slithers out of a domed city into a toxic wasteland. He can’t free himself from the shackles of materialism yet there’s a creative tussle that finally reaches a fatal end. The story is grim, as is its rendering. The last story, “The Accordion Manoeuvre”, is comic and filmy, but again resonates with sarcasm and holds up a mirror to society’s obsession with looks and consumerism. Appupen adds that his book is sponsored by Supa Kola, a cola that he introduced in his first book.

Also while Moonward had minimal text, Legends is a “silent classic”. And the lack of text doesn’t take away from the story, instead it highlights the graphics, engaging readers to look at details and make their own interpretation to the multifarious stories. “After Moonward, a lot of people told me to forget about writing,” said Appupen. “I was writing to convey certain things. In my first book I wanted to tell so many things. Now I can put aside that baggage.” By drifting into the silent zone, a first such novel for Indian readers, Appupen is hoping to make his stories more accessible. “Hopefully, the art will invite you to look at it again,” he said.

Legends of Halahala, HarperCollins. R499.

By Bijal Vachharajani on March 29 2013 11.50am

Nerves of steal

Get ready to be spellbound by Sarah Prineas, author of The Magic Thief series, who will be in Mumbai this fortnight (Sadly, Sarah fell ill and didn’t make it to Mumbai. But she did sign me a copy that too in her secret language).

sarah prineas, magic thief, Books, fantasy books, bookaro festival

 http://www.timeoutmumbai.net/kids/features/nerves-steal

Sarah Prineas’s three-book series, The Magic Thief, tells the story of Connwaer, an orphan who lurks in the alleys of the magical city ofWellmet, picking pockets and steering clear of the Underlord and his goons.Conndiscovers he’s  a wizard when he steals the wizard Nevery’s locus magicalus (a magical stone). As Nevery’s apprentice,Connbegins studying at a magic school and starts investigating why the magic in their city is dwindling. The trilogy has some fantastic characters, including tough-guy Benet, who loves to knit, and bakes scrumptious biscuits. This fortnight, children will have a chance to meet Prineas, who will be signing books in Mumbai at Crossword Bookstore. She’s inIndiafor the Bookaroo Children’s Literature Festival which is being held inDelhithis fortnight. She spoke toTime Out about books, baking, and writing for children.

What was the inspiration behind The Magic Thief series?
The first lines of The Magic Thief are “A thief is a lot like a wizard. I have quick hands, and I can make things disappear.” I kept those lines in a file on my computer for a long time, but I had no idea who said them. Finally I started wondering. What kind of character could be both a thief and a wizard? Immediately,Connleaped into being, completely himself, and ready to get into trouble and jump-start the story. The inspiration is that I’ve read loads of fantasy, and I wanted to write a book with all my favourite fantasy things in it: magic, adventure, wizards, dragons, peril, biscuits and bacon.

Connwaer is extremely believable, even though he lives in a magical world.
Connis so incredibly fun to write, because he’s a true protagonist – his actions make the story happen. He’s completely himself, so I always know what he’s going to do in any situation. He’s also full of contradictions: he’s a thief who never lies, he is smart and yet he does unbelievably stupid things. He is stubborn and he is brave, he thinks a lot but says very little.

How difficult was it to create the magical city of Wellmet?
When I first started working on the Wellmet world, I was inspired by nineteenth-century maps of London, with the twisty streets and dead-end alleyways with funny names, like “Mouse Hole” or “Cutpurse Lane”. Pretty soon, the setting started growing into a distinct place not like anywhere in our world. The concept of “balance” became important. Wellmet is a city that depends on balance, the run-down, dangerous Twilight on one side of the river, the wealthierSunriseon the other, and the wizard’s houses on islands in the river itself. One of the big questions thatConnhas to deal with is how to bring the various parts of the city back into balance with each other.

Tell us about tough guy Benet.
Benet was a funny character to write because he started out as a minor character, a simple tough guy bodyguard. Then I started thinking, “What do bodyguards do?” Well, they take care of people, usually by being tough and knocking heads together. But what if this bodyguard took care of people in other ways? So Benet started baking biscuits and knitting sweaters and scarves, and he became a much more important character, really the centre of Conn’s new family.

Can we expect a fourth book in The Magic Thief series?
I have written a fourth Magic Thief book, though I don’t know when it will be published. My next book starts a brand new series, the first book is calledWinterling. It’s a fantasy story that begins in our world and goes into another, magical world, and the main character is a girl.

By Bijal Vachharajani on November 26 2010

Tale spin

Time Out listens in to some city storytellers

Coomi Vevaina loves to tell children the story of Beeblebean and Beebleboo, a poem about a stone wall built between the two kingdoms with those names. “It’s a story about walls that exist between people,” said Vevaina, who heads the department of English at the University of Mumbai. The last time Vevaina recited the poem, the young audience had many things to say about imaginary walls. One child said that a wall exists between his mother and grandmother, while another pointed out that there’s a wall between India and Pakistan. The reading that triggered this discussion was organised by Word-fully Yours, an association that is trying to promote peace and conservation through stories.

Traditionally, our storytellers have been our grandparents, our parents or our teachers. They first introduced us to Indian folklore, myths and fables. But the upsurge in professional storytellers – Word-fully Yours is just one of many groups that organise storytelling sessions – suggests that the activity is moving beyond the realm of home and school. “Oral traditions are best passed down the family, but with nuclear families this is getting to be a bigger challenge,” said Vijay Prabhat-Kamalakara, the managing director of Storytrails, a Chennai-based group that conducts outings replete with stories. “Professional storytellers are an alternative,” he added. “For example, our stories are not the kind that grandparents would tell. How many times have you heard the story of Martha Benz and the first cars or the story of Operation Fortitude from grandparents?”

Prabhat-Kamalakara said that Storytrails was born out of the idea that almost every activity, however mundane, has a story behind it. “We attempt to research, script and creatively present such stories through theme-based trails,” he said. “Storytrails has trails for different age groups – some indoor and some which take kids through bakeries, cinema studios and car service centres.” This summer, Storytrails organised workshops at the Landmark bookstores in Mumbai, through stories, role play, songs and dance, kids learnt about countries, inventions and book characters.

If the storytellers and the narratives have changed, so has the telling of the story. It is no longer limited to reading aloud from a book. While voice modulation, song and dance have always been part of the tool kit, storytellers are increasingly using aids such as drama, costume and sets to enhance the experience for young listeners with short attention spans. Vevaina, the president of Word-fully Yours, said that her team blends storytelling with drama, puppets, art and craft. “We weave in these forms to consciously create a story,” she said. “For us, stories are a powerful form of passing on the right values in this shrinking and rapidly threatening world.”

For others like Blue Fun Umbrella, storytelling has translated into a profit-making venture. Started three years ago by Meenakshi Kishore and Sonu Mehrotra, Blue Fun Umbrella’s clients include Disney, Crossword Bookstore and Hamleys. Kishore said that they combine story-telling with concept building. “One of the concepts we try to instil is about saving,” said Kishore. “We have a pig puppet who tells the kids that he wants to earn money. He takes the kids to imaginary shops and to a bank where they have to save money.”

Blue Fun Umbrella also organises performance-based sessions. They have narrated the story of Beauty and the Beast, complete with a castle, live music and actors reading from the book. Activities are part of the session, where kids need to solve puzzles in order to get the key to a forbidden castle. In a storytelling session to promote the film Pirates of the Caribbean: On Stranger Tides, kids got eye patches and bandanas.

However, some like Storytrails don’t believe that they need to put on different voices or make faces to engage children. “The first step is to choose an appropriate subject that would be of interest to the age group being addressed,” said Prabhat-Kamalakara.

Another challenge is building a team that can work with a varied group of children. Most groups devote a substantial amount of time training their storytellers. Kishore said that Blue Fun Umbrella mainly hires professional actors for their sessions, but Storytrails draws upon a motley crew of travel writers, architects, lawyers, teachers, engineers and students who have a desire to tell stories to kids in their spare time. Word-fully Yours trains its members to conduct storytelling modules. “What’s really important is having a passion for storytelling,” said Vevaina.

By Bijal Vachharajani on June 23 2011 6.30pm
Photos by Tejal Pandey

Minor accomplishments

Time Out looks back at 2010 and realised that it was the year the kids held the reins

children's Books, dvds, art 4 all, Suar Chala Space Ko, aria panchal, jalebi ink

What happened in 2010? Hundreds of children’s books, tons of toys and dozens of DVDs lined the shelves of bookstores. Over the year, puppet plays, film screenings and clowns entertained kids as well. A study by the TV channel Nick India threw up disturbing results: only 25 per cent of children across six metros actually played outdoors on a daily basis. While there was lots of activities for kids, 2010 was really the year when children held art exhibitions, wrote books and even worked on a commercial play, with a little help from adults, of course.

Authors
When he was just 15, Christopher Paolini began writing Eragon, a story about a boy who takes up a quest along with his pet dragon. The book became a bestseller and was even turned into a Hollywood movie. Bollywood isn’t exactly enthused about signing movie deals with children, but this year two books written by children found mainstream publishers. Anshuman Mohan, 15, wrote Potato Chips (Harper), an earnest work about Aman Malhotra, who switches schools to join the prestigious St Xavier’s and tries desperately to fit in. Written with almost frank brutality, the book is packed with adolescent jokes and teen angst.  Another author, the 17-year-old Arun Vajpai, teamed up with Anu Kumar to write On Top of the World (Puffin), an account of his expedition to Mount Everest. Vajpai is the youngest Indian to have climbed the mountain.

Publishers
At Jalebi Ink, a media company for young adults, children got a chance to air their views about their neighbourhood, the environment and the world around them. In October, young reporters from Jalebi Ink’s Green Squad published Junknama, a newspaper about the environment. They wrote about garbage disposal, water woes and the diminishing green cover. They also visited Dharavi to witness waste recycling, interviewed environmentalists and covered programmes such as the Carter Road Car-Free Day. In a story titled “Trash Troopers”, the reporters  pointed out that Mumbai produces more than 6,500 tonnes of garbage every day, “roughly equivalent to17 fully loaded Airbus A380s”. On October 10, the children distributed copies of the newspapers to evening walkers at Carter Road in Bandra and marched holding solar lanterns.

Artists
At Dreammakers 2010, students of Art 4 All managed to do what most adults haven’t. They displayed their paintings at Chemould Prescott Road Art Gallery and even sold some. “Mumbai through the eyes of children” featured iconic landmarks such as Flora Fountain surrounded by Gothic buildings and hoardings, the Bandra-Worli Sea Link and Rajabai Tower, all painted by children. Images of traffic jams, petrol pumps and fishing colonies were rendered in bright colours. The kids were understandably excited about their paintings being displayed, but a few were concerned that if someone other than their parents bought their work, they wouldn’t be able to take it home.

Playwrights
When director Shaili Sathyu wanted to produce a children’s play this summer, she delved into a pool of ideas generated by kids. The result wasSuar Chala Space Ko, a quirky play about a smelly pig who travels to space. “The play is based on a puppet play originally written by children during a workshop that I conducted in 2001,” said Sathyu. “The play developed in an organic way, with children thinking of different plots and putting them together. The title of the play was conceived by the kids.” In May, Thespo, a youth theatre initiative from Q Theatre Productions, conducted “Dramabaazi”, a children’s workshop. The result was The Mighty Mirembayanna and the Prisoners of Peace, a play about peace and war. Toral Shah of Q Theatre said that they thought the workshop was a great way for kids to experience “what it’s like to go through a rehearsal process, learn lines, get into costume, wait in the wings for their entry and have an audience”. With most plays for children being written and performed by adults, this summertime was a welcome change.

By Bijal Vachharajani on December 23 2010

Rear window

Ranjit Lal on why his writing table faces a wall (or the story where I finally talk to my absolute favourite Indian author)

http://www.timeoutmumbai.net/kids/features/rear-window 

kids books, ranjit lal, birds from my window, indian bird guide, wildlife

House crows that filch melba toast from under the noses of members of the Willingdon Club in Mumbai, a lady sparrow that throws a tantrum and a “pipsqueak of a purple sunbird” who goes berserk on a bottlebrush tree outside author Ranjit Lal’s house are some of the protagonists of his new book, Birds from my Window and the Antics They Get Up To. In the introduction to this book, Lal said that he has been watching birds from his window and balcony for several years and finds it a “wonderful way of never having to get bored”. Peacocks, bulbuls, babblers and sparrows are always at hand to distract him so now his writing desk faces the wall, or “this book would never have been written”.

What inspired you to write Birds from My Window and the Antics They Get Up To?
There was so much happening around the home, with regard to everyday birds that it was worth following up their lives and writing about them. Also, there are a lot more species of birds around in cities like Delhi than one would imagine. Basically you just need to spend a bit of time, standing and staring!

Your book is a guide to Indian birds but unlike most guides, it’s laced with generous bouts of humour.
Birds can be quite hilarious – in looks, deportment, behaviour – and on occasion they’re not too different from us! They have the same ego issues, desire to impress the fair sex (though in birds the males are the dandies and the females are the critics!).

Many of your books introduce children to animals and birds in the city.
Well, if you’re just a little observant and interested in the world around you, you can’t help notice the creatures that share our space. Keep observing and you’ll see patterns of behaviour emerge, showing that they too have orderly, disciplined lives, which generally will fit into the grander scheme of things.

How difficult is it to hook young readers onto wildlife?
The trick to get them interested in wildlife is not to make an academic meal out of it. It’s got to be fun and appeal to their sense of adventure, not to say curiosity.

What’s your average day like with the birds in your garden?
I’ve started putting out bajra and peanuts every morning, plus of course water. The peanuts get gobbled up very quickly – by peacocks, mynahs, babblers  sparrows et al. The bigger guys usually shove the little ones away. There are ego issues within species too, some big dada sparrows will bounce down and drive the wimps away. They hold their parties at any time of the day; it could be early morning, mid-morning, afternoon, evening: there seems to be no fixed time, probably because a lot of other people also leave out stuff, so the birds are spoiled for choice!

Tell us about your experience of birdwatching in Mumbai.
I wasn’t very interested in birds until I bought my first pair of large (and rather heavy) binoculars. We had a peepul tree growing outside the verandah and so I trained my binoculars on that. The first bird I spotted and saw close-up, was the coppersmith barbet, which had a face like a clown (and seemed a little tipsy, what with its hiccups). That was enough – if the first bird I saw looked like a tipsy clown, what would the other 1,200-1,300 be like, I wondered. That’s what I’m still finding out. Incidentally, that peepul tree, that overlooked the whole of Central Bombay, had over 15 species, including a pair of nesting black kites, which would dive-bomb me when they had chicks. And they were very cunning about how they went about it, slipping off the nest, below the cliff, banking away to one side and then gaining height out of sight, before zooming around the corner and whistling down screaming, with claws extended! Exciting stuff.

Birds from my Window and the Antics They Get Up To, Scholastic, R125. Ages 8+

By Bijal Vachharajani on May 26 2011